Das CH
Das CH
The assessment of “Aadikeshava” revolves around its narrative shortcomings, particularly the perceived lack of impact in the backend story. The film struggles to command the second half, creating a sense of forced engagement for the audience. While the first half manages to elicit a few laughs through the love story of Vaishnav Tej and Sreeleela, its overall impact is deemed limited.
The interval twist, despite its potential, falls short in justifying the backend story, leaving the audience feeling misled in the realm of commercial cinema. Noteworthy performances are acknowledged from Vaishnav Tej, Sreeleela, and Joju George. However, criticism is directed at director Srikanth N Reddy for not harnessing these characters effectively with a compelling script, resulting in a perceived lack of engagement. The screenplay is described as lacking dynamism, and the action sequences are criticized for lacking emotional depth, resembling routine portrayals of the protagonist overcoming adversaries.
Overall Verdict: In the spectrum of commercial cinema, Aadikeshava falls short of earning acclaim. The film’s narrative and execution might not resonate with audiences seeking a more compelling experience. Consequently, my preference leans towards revisiting older commercial movies with stronger storylines that offer a more satisfying viewing experience.
