Das CH
Das CH
Baak 1st half: Decent
Well! After watching the fourth installment, one thing is clear: the director Sundar C has realized his past mistakes of an overdose of senseless comedy from its previous part. He has lessened it this time, which is a relief for the spectators for sure.
Coming to the horror elements, the director was able to engage us with special elements. It’s not scary, but it creates engagement and makes us wait for the story to be revealed.
While Raashi had nothing to offer as of now, Tamannaah has been seen as a ghost after a half-reveal of her past story, which made her turn into one. The connection of the priest and her kids seems to be the most important element of the film. We’ll have to see how it unfolds in the latter half.
The cinematography of the film was good. Still wondering why makers these days are struggling with comedy scenes. Are they short of actors or really not putting any effort into these elements, especially with Sundar C, who made us interested in his horror part of the film but failed once again with the comedy elements. Fortunately, there is less of it.
Baak 2nd Half: Decent
Seems like the makers have done a fabulous job in terms of VFX for the supernatural elements of the film, which is one of the major attractions. Despite the connection with ghosts being okayish if you leave the logic aside and connect to the emotions, then you are in for it.
The grandeur climax, which is usually the heart and soul of the franchise, once again made the fourth installment worth it.
Baak Review
“Supernatural elements paid off, Worth a try”
The fourth installment had a different treatment compared to its predecessors. One thing the director ensured was a reduction in comic elements and a focus on the thrilling aspects of the film.
Baak, the Ghost’s name, had unclear and illogical intentions, but its connection to Tamannaah’s plot, along with the emotions of a protective mother, worked well. The supernatural elements also resonated strongly with audiences.
Unlike the third installment, Raashi’s role had less significance, raising questions about why she accepted it initially. It seemed she was primarily interested in being part of the franchise.
The comedic moments featuring Vennela Kishore, Srinivas Reddy, and Kovai Sarala were mostly forgettable, except for a scene in the latter half.
The massive climax and leading scenes were appealing, with the song featuring Kushboo and Simran boosting the film, especially with Kushboo’s dominating screen presence.
The VFX work that used to kill the evil looked grand on screen.
Overall, ‘Baak’ The Ghost’s handling could have been better, but disregarding its story, the impressive thrills throughout the film redeemed it. Sundar. C delivered a good job this time around after the disappointing third installment.
