The production values, cinematography, Jr NTR’s introduction, wrestling sequence, and pre-interval to interval scenes are the standout positive elements of the film. If you are looking for these aspects without delving into the core plot, then it can be a treat to some extent. However, prepare yourself for a lag in the narration, as director Koratala Siva imposes forced emotions to make us connect with the “unworthiness of lag.”
The conversations with the villagers and the reshaping of Jr NTR’s Devara character can be frustrating and give viewers headaches at times. The film’s initial start, especially in the first two minutes, fails to pick up, causing early frustration.
Saif Ali Khan, cast as Bhaira, is a perfect fit. His aura, attitude, and body language dominate everyone on screen, even Jr NTR at times. However, Jr NTR’s rampage is well-witnessed in the moon fight sequence, and the interval track showcases both Jr NTR and music composer Anirudh delivering moments that justify the ticket price. The “Blood is pouring down” background music is particularly marvelous.
One of the most attractive parts of the film so far is the impressive usage and handling of weapons during the action sequences.
As of now, there is no sign of Jaahnvi Kapoor, as the focus remains on the introductory phase of Devara, which strikes well in certain moments despite the lack of a strong hold on the plot.
It seems like the reverse treatment of the screenplay from Baahubali has miserably failed under the direction of Koratala Siva. When the main character, Devara, is introduced early with an exploration of his storyline that lacks significant impact on the plot, despite good technical aspects and a few standout scenes, how can the audience connect with the character of Vara, who is meant to elevate Devara but only appears during the latter half of the film?
Taking inspiration from the climax of Baahubali: The Beginning is understandable, but applying the same strategy with similar dialogues has no lasting effect. Koratala Siva, despite the commendable efforts of Jr NTR in portraying both characters, fails to create the necessary impact.
“Koratala’s vision shakes, despite solid technical efforts”
First of all, the film does not maintain a strong plot as it relies heavily on just a couple of core elements: smuggling on the sea and the tradition of Ayudha Pooja linked to four villages near the coast. These are the only notable moments that stand out from the content. While it’s not necessarily crucial to depend too much on these, the emotions play a key role in shaping a story. However, Koratala Siva’s narration falters in this aspect, failing to connect the audience with the villagers and their bond with their beloved warriors, ‘Devara’ and ‘Vara.’
Typically, in films, a side character who poses as a warrior is introduced early on, and as the story progresses, the elevation of this character helps highlight the main protagonist, who is the heart and soul of the film. Even if the main character falters, the buildup to these scenes at least leads to a half-baked story. However, in Devara’s case, the reverse strategy, which was intended as a bold attempt by the makers, doesn’t succeed when the main character itself isn’t compelling enough for the given plot.
As for Jr NTR and Saif Ali Khan, their performances are top-notch, and there’s no need for criticism here. Both actors display competitive energy and do justice to their roles. On the other hand, Jaahnvi’s role is limited to glamour, with little else to offer. Prakash Raj’s role also feels out of place.
The makers have paid great attention to cinematography, and the scenes shot on or near the sea are top-class, providing some of the most noteworthy moments in the film.
Overall Verdict: Except for the film’s plot, other elements such as music, cinematography, and action sequences shine. However, viewers will need patience for the slow narration and unimpressive screenplay.
As for the potential sequel, is it worth the wait? Apart from curiosity about why Devara and Vara’s characters were concluded the way they were in the first part, there isn’t much to get excited about.
