Aditya N
Aditya N
The Central Board of Film Certification (CBFC), also known as the Indian Censor Board, has long grappled with the image of being overly strict, much to the dismay of the filmmakers. In the past, many directors expressed dissatisfaction over the Censor rules and their unnecessary harsh decisions. However, it looks like the CBFC Board has frequently made decisions on behalf of the audience, dictating what conforms to Indian norms. Nevertheless, there appears to be a positive shift in this pattern.
Over the last fortnight, the CBFC has approved two movies without any edits, despite predictions of strict censorship because of violent, gory, and horrifying content. Nicolas Cage’s upcoming horror flick, Long Legs, which is being hailed as one of the top horror movies of the year, was given the green light without any alterations. Despite its unsettling visuals and dialogue, the movie has been approved without any additional edits, and its duration aligns with the international release. Likewise, Karan Johar’s intense action movie Kill was approved last week without any edits. Viewers have commended its intense action sequences, which are unparalleled in Indian cinema. Without these sequences, the movie may not have garnered as much appreciation from its intended audience. It is commendable that the CBFC is entrusting the audience’s discernment in choosing what to watch. Their responsibility is to classify the film as U, U/A, or Adults, rather than being excessively careful.
In the current sensitive environment, even innocent jokes regarding religion, sex, gender, or race have the potential to spark unwelcome controversies. The goal of the censor board is to prevent such disputes, but there are limitations to what they can restrict in the realm of art. Consider a scenario where individuals take offense at the color of Deepika Padukone’s bikini in Pathaan. Those predisposed to being offended will always find something to take issue with. No matter how many scenes are edited out, there is no guarantee of producing an utterly non-offensive film. The CBFC must adopt a more open-minded approach and understand that it is not to blame if specific sequences provoke offense. Throughout history, Indian cinema has featured scenes of women bathing and even topless portrayals dating back to the 1980s. Today’s viewers are exposed to more explicit content, including sex, violence, profanity, slang, and other controversial subjects, than what is depicted in these films in their uncut versions. Fortunately, there are signs of change. Recent actions by the CBFC indicate a shift towards a more progressive stance, placing trust in the intelligence and maturity of the audience.
